Monday, December 26, 2011

Robert Burns Was a Dirty Boy

'Twas reading Bone Fires by Mark Jarman--a Christmas present from T--and after perusing "My Parents Have Come Home Laughing" had to check out a reference to a Robert Burns poem which I thought surely must have been a fiction--"Nine Inch Will Please a Lady."  But the miracle of Google proved that it was no fiction:


Nine Inch Will Please a Lady
(Robert Burns)

Come rede me dame, come tell me dame,
My dame come tell me truly,
What length o' graith when weel ca'd hame
Will sair a woman duly?"
The carlin clew her wanton tail,
Her wanton tail sae ready,
"l learn'd a sang in Annandale,
Nine inch will please a lady."

"But for a koontrie cunt like mine,
In sooth we're not sae gentle;
We'll tak tway thumb-bread to the nine,
And that is a sonsy pintle.
Oh, Leeze me on, my Charlie lad,
I'll ne'er forget my Charlie,
Tway roaring handfuls and a daud
He nidged it in fu' rarely."

But wear fa' the laithron doup
And may it ne'er be thriving,
It's not the length that makes me loup
But it's the double drivin.
Come nidge me Tom, come nidge me Tom
Come nidge me, o'er the nyvel
Come lowse an lug your battering ram
And thrash him at my gyvel!

graith=gear, equipment; clew=scratched, fondled;
tway thum-bread=two thumb-breadths; sonsy=healthy;
daud=a lump, a bit; laithron=lazy; doup=rump;
gyvel=gateway.

And the miracle of The You Tub proved that there were several performances of this song available-

Goodness gracious.  And he looked like such a genteel fellow.


Monday, December 12, 2011

3 Godot Poems


Eye Full Tower

The Eiffel Tower scratches at my cornea
seeking to break through that crystalline shield,
its barbwire claws twitching spasmodically,
anxious to puncture my vision

and when it does my eye
vomits a torrent of bile
vile and viscous
tarry black
flecked with bits of broken moments
and my heartaches spoil the horizon

The tower rocks back on its heels
content and fat with my pain
and I can only gaze monocularly,
stumble away through a two-dimensional world.
Perhaps I'll grow an eye patch
of callus or infected tissue.
Why is it that a one-eyed man
always looks so threatening, so fierce?
It's not his injury we see,
but the mystery of what lies behind the wound,
the armor of apathy which surrounds him.

One day soon I'll pluck that tower
from where it stands
and wield it like a sword
and the one-eyed population of the world
will grow by leaps and bounds.






Tree

growing slowly inch by bark-covered inch
moaning with the pain of stretching ligaments
tortured seconds, dying minutes, and
the last gasps of hours, days, months, years
tears
groaning from the womb to the tomb
splayed fingers scratching at the sky
digging into clouds to find the sun
hidden, buried in cloud
frost-whitened and tired as a
man who's been drowning for days
starving for weeks
rooted in the moist earth of mother's guts
gripping her spine with clenched roots
rupturing her spleen, heart, lungs
the cracked sidewalk of her face
thin branches reaching for father sun
growing in his direction but
dying from the cold
growing old
still hoping
it might be summer again
one day

or this may be all that there is
peaceful, quiet, cold death




Vegetable Holocaust

Sullen-eyed raddishes ripped from the ground
Foul-mouthed turnips trying to fly
While leafy-headed carrots grin
Superciliously, knowing they are the first choice
Knowing they will arrive at the table intact
While their former fellows are sliced and diced into tiny bits,
Unrecognizable and devoid of
Their true character.

It is a Vegetable Holocaust
And the carrot strides in the
Borrowed jack-boots of the kapo
While the raddish and turnip
Whimper and are crushed.
There is a hierarchy here,
And those at the top / near the top / who serve the top
Prosper
While those below are destroyed
In the most casual way,
And unremembered forever after.