Sunday, August 14, 2011

Lesson 39 of 100 Lessons--and a Plea for Audio Studio for the Reading Impaired


"People's ideas about God are the clearest projection in the world of the inside of their own heads and hearts.  When I hear somebody describe what they think God's like, I know what they think everything's like.  Visions of God come straight out of our deepest selves.  I'm an optimistic person, so I figure God's good, and that there must be some sort of plan that will explain all this.  I don't know what it is.  But not knowing the plan doesn't matter to me.  I don't need to know.  I trust Him.  I sure don't think I'm a pawn in some sort of game.  While you live, you try to be the best person you can, do the best you can for everybody around you, and when you die, you go back to wherever you were before you were born.  And it's not a burning fiery place with monsters breathing on your neck."

Heart in the Right Place
by Carolyn Jourdan

P.S.  This was the last book I read for this year's stint with Audio Studio for the Reading Impaired (P.O. Box 23043, 11403 Park Road , Anchorage, KY 40223).  Alas, it might be the last time I read for them, since they are having some serious funding problems.  It kills me, because the operating budget is only about $70,000 a year.  Not a sum to be sneezed at, obviously, but on a metro level it's sofa change.  Or, for that matter, to some of the rich folks in Louisville.  Aren't there any rich blind folks out there who would be willing to shake out the sofa for Audio Studio?  (Or 70,000 regular folk who could spare a dollar each?  Or 35,000 folk with two dollars?  17,500 with four?  8.750 with eight?  4,375 with sixteen?  2,187 1/2 with thirty-two?  1,093 3/4 with sixty-four?  546 with one-hundred and twenty-eight and one with one-hundred and twelve?  How about joining the 546 and parting with $128 for the blind and otherwise reading impaired?  That's like 36 cents a day . . . and best of all, you won't get a shit load of mail urging you to give again (which discourages me, in that it's obvious that my donation went to xeroxing papers and buying stamps).


Brother K in the Recording Booth



Friday, July 29, 2011

Lesson 34 of 100 Lessons



"When you're a child people's cruelty makes you cry.  When you're an adult it's their kindness."

Glen Duncan
A Day and a Night and a Day

I went on a field trip to the Holocaust Museum in Washington, D.C.,  a decade or so ago.  It was a shattering experience.  As I worked my way through the top floor (where the tour starts) I felt claustrophobic, and I slowed down to let the crowd of students move past me.  Horror piled upon horror.  The German who sat on his porch with a rifle and shot Jewish prisoners randomly.  The piles of shoes and hair.   I can't remember what order the displays were in, but I do remember that the last thing I saw on that floor was a picture of a little girl, naked and screaming, and the caption said something about how the Nazis didn't start by executing Jews, but with mentally retarded children.  I looked at that little girl and saw Q, and I was so filled with revulsion that I had to leave the museum.  I found a staircase and went outside and walked the streets for fifteen minutes.  Then I went back.  I worked my way through the rest of the museum, feeling dulled by all of the horrors, feeling them bore holes into me until all I could think was that human beings are detestable creatures, and that God's biggest mistake was that he had let Noah and his family build that ark (so to speak--since I am neither a Biblical literalist nor, for that matter, a Believer in any accepted sense of the word).  I finally made it to the bottom floor, and there was a wall bisecting the room.  A wall covered with names of people who had risked or sacrificed their lives to hide Jews or to help them to escape.  And for the first time during that visit, I didn't feel anger or hatred or revulsion or hopelessness.  And for the first time that day I cried.

Addendum 8/15/11
I'm almost finished reading my second Glen Duncan book, which is The Last Werewolf (highly recommended), and in Chapter 56 (of 61) I ran upon this:
"I read somewhere that when you're a kid it's people's cruelty that makes you cry, then when you're an adult it's their kindness."
Which could mean that Lula reads Glen Duncan, which is kind of cute, but I'm going to suppose that it means that this idea is central to Glen Duncan's thoughts.  In fact, in a way that's what The Last Werewolf is about:  the corruption of innocence, the struggle to maintain or rediscover innocence . . . and, maybe, the idea that innocence can be reclaimed.  Depends on how you see the love affair with Lula . . . and, of course, depends on what happens in the next five chapters.  I'll have to get back to you on that.

Wednesday, July 20, 2011

Patricia Anne by Brother K

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Been working on this one for some time.  Lots of false starts and   wrong turns, but I think this is just about where I want it to be in terms of the lyrics & vocals.  (I was aiming for something like an Oak Ridge Boys "Elvira" sound on the choruses.  Chorusi?) 

The video is jess fur fuhn--there are a few flubs, but I thought there was enough cute in there to let it ride.

Behind the scenes Video Extras:
I am wearing my son's cowboy hat.  It's a bit on the small side for me.
I cannot move either of my arms while I sing here because I am holding the cardboard back of a bookshelf (which should have been assembled weeks ago) as my background.
I tried to wink at the end--can you tell?
I tried shooting the video in sepia (just looks dirty) and in x-ray (very scary) and in glow (I looked dead.  And I ain't.  Yet.)  Did a version in comic book format and liked the look, but there was a delay effect which made it look like I wasn't actually singing, and I didn't like that much.  So I thought the black and white was the best choice, but I would have liked it more blacker and less whiter.

Okay.  So here it is:


Hmmm. Well, it should be there, anyway. Technical difficulties. Meanwhile, here are the lyrics:

Patricia Anne, Patricia Anne,

Come on over here and take my hand

Take my hand, we’ll make a stand

Hand in hand until we turn to sand.



Livin’ in this godless world of ignorance and fear

Is it any wonder that our limbs tremble, our eyes tear

But knowin’ you is knowin’ there’s a better way

And it starts with standing by your side and bellowin’ your name.



Patricia Anne, Patricia Anne,


Come on over here and take my hand


Take my hand, we’ll make a stand


Hand in hand until we turn to sand.



When we’re floatin' on our raft I know that I can see

That life’s worth livin’ and that there’s a place in it for me

For a while it doesn’t matter that the world don’t make no sense

'Cause I’ve got dollars and doughnuts which is more than recompense.


Patricia Anne, Patricia Anne,


Come on over here and take my hand


Take my hand, we’ll make a stand


Hand in hand until we turn to sand.



The world can knock me on my ass

In a hot minute of mean

But when you smile I feel the waves--

You make my heart rise from the grave.


Patricia Anne, Patricia Anne,


Come on over here and take my hand


Take my hand, we’ll make a stand


Hand in hand until we turn to sand.



One of my goodest friends, awesome, songwriter Dan Bowman, gave me loads of inspiration for this song and did a helluva lot of work on recording a guitar part that's a helluva lot better than mine here.  I will be putting it to use in the near near future.
Dan also expressed his like of the line, "Hand in hand until we turn to sand."  Part of the reason for that line was something my mother said to me not too long before she died.  She was phasing in and out of lucidity, but she clicked into focus and looked at me and said, "I feel like I'm made of sand."  I got this horrific image of a sand image of her on the beach with the waves coming in, lapping bits of her away until there was nothing left.  I am pretty sure that's what she meant, and I know that that's how she felt.  She was a sweet & beautiful woman, and she didn't deserve to die like that.  Thinking about it makes me mad, and tends me in the direction of Mark Twain's statement, "If there is a God, he is a malign thug."

But the most important thing about this song is that this ain't no naive, idealistic, romantic bullshit love song--this is my life these days.  I'm in love with the girl that I'm talking about.  I'm in love with the girl that I can't live without.  I'm in love . . . and I sure picked a good time to be in love.

Saturday, April 9, 2011

Fool Am I Am

I was doing a little work on the computer this morning and saw a file on my desktop which I didn't recognize--not an uncommon occurrence.  (Picnic, lightning, steel trap.)  Opened it up and started reading a bit of it--it was a short short story--and kind of remembered it and found some things to like in the prose.  Then I scrolled back up to the top and saw there was a bit of a dedication:






Here's a new story. I wrote it for my Great Books class, and it's hot off the presses, so I'm feeling a bit uncertain about the whole thing. But I want to put it down NOW, so here it is. It is dedicated to and inspired by my lovely wife, Clare.

What really surprised (and, yep, hurt) was that I had saved this to my desktop on August 9, 2010 . . . not quite a year after the end of the marriage.  I don't know when I actually wrote the story.  But since I found it, I thought I'd go ahead and put it up here.

Wherever You Go, 
Wherever You Go, You Take Yourself With You

1.

The kids were cheering, and he couldn’t understand that at all. What had he ever done to them? He searched their faces, saw no hint of recognition there. And as the pebble presaging the avalanche fell into his guts, Brian’s fist connected with his stomach and he was bent in half and a cupful of vomit burst from his mouth. Laughter rose around him like the flames of an auto-da-fe. He wondered if Brian would go away if he just stayed down on all fours. He didn’t wonder long. Brian’s hands grabbed Jerry’s shoulders and he pulled him up. For a whisper of a second, Jerry thought that it was over, that Brian was letting him know that there were no hard feelings . . . wolf bares throat and lives. And then Brian’s fist connected with Jerry’s jaw, and Jerry fell to the ground and lay there. Blackness punctuated by silver flashes filled his vision, but he could still hear the laughter.

When he could see again, Brian was gone, the others were gone. Jerry was looking into a puddle of water and probing his mouth with his tongue. There was blood, but all of his teeth felt intact. He felt no pressing urge to get to his feet, not even when it began to rain. He just watched the raindrops merging into the puddle, and it made him feel like laughing. A gentle rain. He thought of Ray Bradbury’s Venus. A soft rain.

He caught a glimpse of something in the puddle then. A glimmer of light. He wanted to touch it, but was afraid. Unlike most of his schoolmates, Jerry had no desire to hurt anyone. Even now, no anger coiled about his spine, no venom splashed into the engine of his heart. Again there was that glimmer of light, the quick movement of something very tiny and fragile . . . like a newly fertilized egg.

He couldn’t stop himself. Jerry reached out a cupped hand and caught the glimmer of light. He closed his fingers tightly so that the water would not escape. And then he lifted his hand from the water, rose to his feet, and walked home very carefully. The rain helped to keep his cupped hand full. But with each step he took, he felt a new pain begin to chaff at his being.

2.

Jerry opened his wallet and pulled out the picture of Susan and Melissa and Tony. Underneath it was an older picture with Susan and Melissa, and beneath that an even older picture of Susan and Jerry, awkwardly smiling newlyweds. Then the cab was pulling up in front of the hotel and he was getting out, trading money for his suitcase, and moving into the hotel lobby. The suitcase felt strange in his hand, but before the thought registered in his consciousness the desk clerk was leaning towards him, mouthing something inane. Jerry looked away from the man and put the suitcase on the floor, pulled out his wallet and extended a credit card.
“Jerry Tuvalu. I’ve got a reservation.”
The clerk leaned toward Jerry, his mouth opening as if to taste him, but Jerry anticipated his question and spelled his last name, then repeated his first name. The clerk seemed saddened by this, settled back into himself and typed on his keypad.
“Ah, yes. Mr. Tuvalu. Room 4040 , if that will suit.”
“Sure, that’s fine,” Jerry replied, but before he could escape the clerk was leaning toward him again and saying, “Can I get someone to help you with your bag? It looks terribly heavy and—”
“No, it’s okay. I’ve—“ Jerry interrupted, and for a moment they were singing a cacophonous duet.
“—you seem to be . . . leaking something.”
“—got it. What?” Jerry almost shouted, looked down at the floor and saw that the clerk was right, that there was a puddle of water on the floor beside his suitcase. Had it been raining when he came in? he wondered wildly, but when he looked out the front window it was, of course, a dark, dry night.
“No, I’ve got it,” Jerry said, grabbing the key and picking the suitcase up in both hands, turning it so that it was sideways, then he ran for the elevator, banging the up button with his elbow. The doors opened almost immediately and he stepped in, hit the button for the fortieth floor, and tried to calm himself.

3.

It was dry. The sound a little girl might make when her cat shook her canary by the neck escaped from his fifty year-old throat, and his mouth immediately went slack. Sweat burst from his forehead. He turned and ran into the bathroom, pulled up the stopper in the tub and turned both hot and cold water on full blast, then ran back to the bed and gently picked up the suitcase, took it into the bathroom and lowered it onto the surface of the water, then pushed down on the edges until it was submerged. He let go and it stayed down, under the water, and after a minute he checked the temperature with his wrist and turned off both faucets. There was no movement in the water. He slumped against the wall and cried, gritting his teeth so that he would make no sound. He felt himself slipping away, sleep stealing over him as irresistibly as a solar eclipse, his heart pummeling him into complete submission.

If she was dead . . .

4.

His father had been a Kirby man. He was proud to sell the finest vacuum cleaner ever made, and when he delivered on a sale he would spend an hour, sometimes more, demonstrating each of the attachments that were included in the cardboard armoire that accompanied the machine. Something beyond the obvious lived inside of that box, curled up like a genie in the corners, and when he showed the housewife (it was always a housewife in those days) the proper function of each attachment, he felt something expand inside of his lungs. Most of the housewives sensed this as wild joy, as a happiness beyond anything contained in their mediocre days, and they were often inclined to allow him to demonstrate his other skills. He told these stories to Jerry when his son was only six years old, and though he could not understand them, they anchored little Jerry even when the vast waves of grief and loss pummeled him at night, even when he missed his mother and his sister with a ferocity that insisted that he obliterate himself. He longed to grow up and be like his father.

But he could not. Something inside him . . . or almost inside of him, hovering near like a guardian angel . . . made him turn away from the girls who smiled at him in high school and his one year of college. He looked at them and saw the broken bodies of his mother and sister wrapped up in the twisted metal of the family car. Their smiles made him feel nauseous, and he fled from them, sought refuge in his room with the locked door and an aquarium which did not contain a fish.

5.

She grew to be very beautiful, but not large. Jerry’s room was inviolate, so this was no need for disguise or subterfuge there. His father never even came up the stairs to the second floor—where his old bedroom and Janey’s old bedroom were left unattended, unchanged.

And as she grew, she began to sing. At first Jerry could not make out the words, but her song soothed him to sleep at night and gently awakened him in the morning. Her song filled him with joy.

Until one day when he began to understand. “The sea,” he heard, and he leaned close to the glass and looked into her pale blue eyes, saw the longing there, and felt anger grip him and throw him from the room.

She did not relent. “I need the sea” was the first complete phrase he heard her sing, and his anger made him want to break the glass and let her die. The ingratitude of it overwhelmed him. He had rescued her, he thought. He had nourished her and cared for her, and she wanted to leave him.

“No!” she sang, “I need the sea.”

He married Susan because he thought that it would hurt her. It was difficult to find a place to hide her, but she seemed to be happy for him, and she smiled when he told her. And then she folded her hands against her small breasts, held her tail in a rigid, downward sweep, and sang, “Please, Jerry . . . I need the sea.”

He gritted his teeth and snorted contemptuously.

6.

That was when he first thought of the suitcase. He fitted a plastic tank inside of it, reinforced the opening so that no leakage was possible, and made a small area for clothes to hide the compartment. There would be no fear of discovery . . . a fear which intensified with the arrival of the children, one and three years later. He carried her with him as a punishment, though he would not allow himself to admit to that. If he had simply not wanted her to be discovered, it would have been easier to give her what she asked for, what she so desperately needed.
7.

When he swam back to consciousness and looked into the suitcase he saw that she was dead. Years of traveling had not killed her, but a moment of neglect had done the trick. She was gone, and the world was empty.

8.

That night, Jerry ordered room service for the first time in his life. He ordered a steak, very rare, and a bottle of Turnbull Cab. When the tray arrived at his room he tipped the young man fifty dollars—all of the cash he had in his wallet. He lit a candle and burned his credit cards as he drank the wine and picked at the steak. And then he stripped himself naked and dumped the food from the plate into the trashcan, washed it in the bathroom sink, and then placed her carefully dried body onto the empty plate.

When he had finished eating, he began to pray for the first time since his mother had died.



Monday, March 28, 2011

Poem of the Day

God, would you please
Get off Your Ass
And call the exterminator?
Surely You don't like
Cockroaches on Your pizza.

Your downstairs neighbor,
Brother K